Focus Film
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Focus Film
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CANON EOS Rebel-X S 35mm Auto-Focus SLR Film CAMERA body US $9.95
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Minolta Maxxum 3000i Auto Focus 35mm Film SLR camera US $10.00
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The U.S. vs. John Lennon Sale Price: $1.99 |
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Herbert von Karajan in Rehearsal and Performance List Price: $24.99 Sale Price: $17.26 |
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Legendary Austrian conductor Herbert von Karajan is here seen in rare rehearsal films, exercising his inimitable style in preparing Schumann's Symphony No. 4 with the Wiener Philharmoniker in 1965. This fascinating footage is followed by the controversial maestro rehearsing Beethoven's Symphony No... |
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Focus List Price: $12.98 Sale Price: $6.82 |
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Tinker Tailor Soldier Spy List Price: $29.98 Sale Price: $14.45 |
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Gary Oldman stars as former British secret agent George Smiley in this stylish adaptation of the novel by John Le Carre. In the early '70s, Smiley is called out of retirement and tasked with flushing out a Soviet mole believed to be serving in a high-ranking office of British Intelligence... |
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Four projects are currently underway to remake classic anime into live action movies. For each movie included here, you'll find a brief plot summary, followed by the latest news on their development.
AKIRA - originally released July 16, 1988 - Written and directed by Katsuhiro Otomo based on his own hit manga.
The story is set thirty-one years after the destruction of Tokyo and World War III, in 2019, in Neo-Tokyo, a huge city built on an artificial island in Tokyo Bay. A secret military project turns a biker gang member into a rampaging psychopath with psionic powers and only two kids and a group of other psionics can stop him.
NY Magazine recently announced Warner Brothers is in negotiations with the Hughes Brothers to direct. On June 17, 2010, producer Andrew Lazar said that a new writer had been hired and that the movie is being fast tracked. He also said the first movie would be based on volumes 1-3 with a second movie covering volumes 4-6.
GHOST IN THE SHELL - released in 1995 - Directed by Mamoru Oshii. Adapted from the original manga by Masamune Shirow.
It's 2029 and the world has become interconnected by a network that permeates every aspect of life. Tokyo's Section 9 network security force must catch a hacker known as the Puppet Master who can hack human minds and leaves behind fake memories. Motoko Kusanagi is a cyborg officer leading the investigation and begins to question her own existence. The Puppet Master may have answers to all her questions...and strangely enough, he's been looking for her.
In early March 2010, Screenwriter Laeta Kalogridis said she would be submitting a draft of the script in the coming weeks. She says to "cross your fingers" because getting a movie made with a female lead is a bit hard in Hollywood at the moment. She was also once attached to write a script for James Cameron's adaptation of Battle Angel Alita. This information comes from an article by Son Goshin at LiveActionAnime.org.
NINJA SCROLL - June 5, 1993 - Western release December 6, 1995 - Written and directed by Yoshiaki Kawajiri. The film is an homage to the Ninpocho series of ninja novels by Futaro Yamada.
Jubei Kibagami, a wandering sword-for-hire and ninja is led into a plot by the Shogun of the Dark to overthrow the Shogun and conquer Japan. Pursued by demons, Jubei joins forces with a deadly female ninja to fight many super strong inhuman opponents on their way to the truth behind this conspiracy.
In late February 2010, The Hollywood Reporter announced that writer Alex Tse (Watchmen) has written a script for the Warner Brothers live action adaptation. Leonardo DiCaprio's Appian Way production company has held the live action adaptation rights since 2008.
BATTLE ANGEL - manga written by Yukito Kishiro, called "Battle Angel Alita" - Anime adaptation of the first few books, called "Battle Angel" was released as "original video animation", consisting of 2 episodes, Rusty Angel and Tears Sign. Released in Japan as "Gunnm".
In the 26th century, a floating city, called Tiphares, dumps its trash onto the world below. In this bleak landscape, called the Scrapyard, Doc Ido, a cyborg physician, finds the head and torso of a young cyborg girl. Only Alita's brain is human and she has lost her memory. Doc Ido rebuilds her and later they discover that she has been programmed with an ancient cyborg fighting style. Alita soon finds out that Doc Ido works as a bounty hunter for the Factory, (the support organization for the floating city). Together, they take on many deadly foes as they try to unlock Alita's true power and potential.
On February 19, 2010 Avatar producer Jon Landau hinted on MTV Splash that the film, now being called Alita, may be filmed after Avatar 2, which is currently in development. James Cameron will direct the live-action adaption of the first three volumes of the manga series. More movies would cover the rest of the series if the first was successful. In later news it was reported that the film would focus on Alita's early development as she learns she's a deadly machine. Both Landau and Cameron are drawn to scenes involving Motorball, the gladitor-style racing battle for cyborgs in which Alita participates.
If you're a big fan of anime, or just movies in general, don't miss these four new live action films.
Marc Richards is a part time movie news blogger at http://NewMovieBuzz.com
Digital Camera Basics-Resolution, Exposure, Focus, And Storage
Resolution
The amount of detail that a camera can capture is called the resolution, and it is measured in pixels. The more pixels a camera has, the more detail it can capture and the larger pictures can be without becoming blurry or "grainy." High-end consumer cameras can capture over 12 million pixels. Some professional cameras support over 16 million pixels (megapixels), or 20 million pixels for large-format cameras. For comparison, it has been estimated that the quality of 35mm film is about 20 million pixels.
Exposure and Focus
Just as with film, a digital camera has to control the amount of light that reaches the sensor. The two components it uses to do this, the aperture and shutter speed, are also present on conventional cameras.
Aperture: The size of the opening in the camera. The aperture is automatic in most digital cameras, but some allow manual adjustment to give professionals and hobbyists more control over the final image.
Shutter speed: The amount of time that light can pass through the aperture. Unlike film, the light sensor in a digital camera can be reset electronically, so digital cameras have a digital shutter rather than a mechanical shutter.
These two aspects work together to capture the amount of light needed to make a good image. In photographic terms, they set the exposure of the sensor.
In addition to controlling the amount of light, the camera has to adjust the lenses to control how the light is focused on the sensor. In general, the lenses on digital cameras are very similar to conventional camera lenses -- some digital cameras can even use conventional lenses. Most use automatic focusing techniques.
The focal length, however, is one important difference between the lens of a digital camera and the lens of a 35mm camera. The focal length is the distance between the lens and the surface of the sensor. Sensors from different manufacturers vary widely in size, but in general they're smaller than a piece of 35mm film. In order to project the image onto a smaller sensor, the focal length is shortened by the same proportion.
Focal length also determines the magnification, or zoom, when you look through the camera. In 35mm cameras, a 50mm lens gives a natural view of the subject. Increasing the focal length increases the magnification, and objects appear to get closer. The reverse happens when decreasing the focal length. A zoom lens is any lens that has an adjustable focal length, and digital cameras can have optical or digital zoom -- some have both. Some cameras also have macro focusing capability, meaning that the camera can take pictures from very close to the subject.
Digital cameras have one of four types of lenses:
1) Fixed-focus, fixed-zoom lenses - These are the kinds of lenses on disposable and inexpensive film cameras -- inexpensive and great for snapshots, but fairly limited.
2) Optical-zoom lenses with automatic focus - Similar to the lens on a video camcorder, these have "wide" and "telephoto" options and automatic focus. The camera may or may not support manual focus. These actually change the focal length of the lens rather than just magnifying the information that hits the sensor.
3) Digital-zoom lenses - With digital zoom, the camera takes pixels from the center of the image sensor and interpolates (alters) them to make a full-sized image. Depending on the resolution of the image and the sensor, this approach may create a grainy or fuzzy image. You can manually do the same thing with image processing software -- simply snap a picture, cut out the center and magnify it.
4) Replaceable lens systems - These are similar to the replaceable lenses on a 35mm camera. Some digital cameras can use 35mm camera lenses.
Storage of Images
Most digital cameras have an LCD screen so you can view your picture right away. This is one of the great advantages of a digital camera -- you get immediate feedback on what you capture. Of course, viewing the image on your camera would lose its charm if that's all you could do. You want to be able to load the picture into your computer or send it directly to a printer. There are several ways to do this.
Although most of today's cameras are capable of connecting through serial, parallel, SCSI, USB, or FireWire connections, they usually also use some sort of removable storage device. Digital cameras use a number of storage systems. These are like reusable, digital film, and they use a caddy or card reader to transfer the data to a computer. Many involve fixed or removable flash memory. Digital camera manufacturers often develop their own proprietary flash memory devices, including SmartMedia cards, CompactFlash cards and Memory Sticks. Other removable storage device include floppy disks, hard disks (external, or microdrives), and writeable CD's and DVD's.
Regardless of what type of storage they use, all digital cameras need lots of room for pictures. They usually store images in one of two formats -- TIFF, which is uncompressed, and JPEG, which is compressed. Most cameras use the JPEG file format for storing pictures, and they sometimes offer quality settings (such as medium or high).
To make the most of their storage space, almost all digital cameras use some sort of additional data compression to make the files smaller. One compression routine takes advantage of patterns that repeat. The image can be reconstructed exactly as it was recorded, reducing the file size no more than 50%, often much less. Another compression routine called irrelevancy eliminates some of the more meaningless data, taking advantage of the fact that digital cameras record more information than the human eye can easily detect.
About the Author
By Brian Lee
what are the main focus to make a good Document film?
am making a Documentary for my school project. i need to make it so great and the picture and the story should much
A subject.
Research on the subject
Research on existing film, video or audio on the subject
A script, written based upon the available material
A storyboard
A list of shots that will be necessary to combine the historical footage with the supplemental.
A budget
Equipment necessary to complete the documentary
List of the team which will combine their various talents to produce the documentary.
A time line, that lists each phase of the project and milestones to be achieved.
Enough time allocated to complete the project, given the time restraints associated with school semesters.
(AFX UK Focus) 2010-04-30 00:52 UPDATE 2- Regal posts lower 1st-qtr profit, film costs rise
LOS ANGELES, April 29 (Reuters) - Regal Entertainment Group, the No. 1 U.S. movie theater operator, posted a drop in first-quarter profit as higher costs offset ticket sales for movies like 3-D hits "Avatar" and "Alice in Wonderland". Regal reported a first quarter profit of $16.5 million, or 11 cents a share, compared with $21.3 million, or 14 cents a share. Revenue rose to $719.8 million from ...
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