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Nikon Depth
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Chances are you already own the camera you'll be using to shoot landscapes, but do read this anyway, so you know what to look for when it's time to upgrade. Unlike the bygone days of film cameras, in which you might have used the same camera for several years, the rapid advances in digital technology and stunning improvements in image quality offered by the latest camera models encourage digital photographers to upgrade every two or three years.

NIKON AND CANON CAMERAS ARE SUPERB!

All digital cameras can produce fine landscape images, but some models are clearly better for landscapes than others. Just for the record, John has used Canon cameras for more than 30 years while Barbara shoots Nikon. You might be surprised to hear we shoot two different systems, but it makes perfect sense to us. We always know our Nikon gear is Barbara's and Canon items belong to John, so we never get mixed up. This makes things simple, keeps peace in the family, and we each shoot what we like. Effectively teaching over a thousand photo students each year is important to us, too. Thoroughly knowing both the Canon and Nikon systems helps us teach, because the vast majority of our photography students also shoot Canon or Nikon.

Both Canon and Nikon offer superb cameras and wide choices of lenses, including high-quality prime (non-zoom) lenses, tilt-shift lenses that control depth of field and convergence of vertical lines, zoom lenses with image-stabilization, and specialized macro lenses. Canon and Nikon each have cameras with a full-frame sensor that gives the full effect of wide-angle lenses.

OTHER EXCELLENT CAMERA SYSTEMS

Several other companies build digital camera systems and they make fine equipment. The major players include Sigma, Fujifilm, Pentax, Sony, Panasonic, Samsung, and Olympus. Their cameras are perfectly capable of shooting superb landscape images, but their overall systems are considerably smaller than the Canon and Nikon systems, leaving nature photographers with far fewer choices of lenses and accessories.

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Nikon D90 review

One of the key attractions this month had to be the Nikon D90, which is also the costliest camera we’ve tested so far. Nikon has brought in the D90 to replace the trusted D80. The D80 was one of the best upper-entry level to midrange cameras from Nikon.

The D90 then has a lot to prove before it can earn its place. Going through the D90’s key features, it certainly looks impressive. The D90 utilises a 12.3-MP CMOS sensor going up from the D80’s 10.2-MP CCD sensor. The sensor size remains unchanged. Most entry-level cameras are supplied with an 18 to 55-mm lens which can be quite limiting to the kinds of photos you can take. We received the camera with a Nikkor DX 18 to 105-mm VR zoom lens.

This makes a good all-purpose kit for wide-angle and telescopic shooting. The shape and size of the D90 is somewhat larger than the D60 we saw a few months back. It’s a bit heavier than the D60 and also the D80 itself. The body is plasticy, but feels extremely sturdy and the buttons are great as expected on any Nikon D-SLR.

The D90 now comes with a 3-inch screen that is incredibly vibrant and crisp. The other thing that makes the Digital Camera interesting is the inclusion of Live View that allows you to use the LCD screen to focus.

This is a feature rarely found on D-SLRs. The D90 is undoubtedly one of the easiest cameras to operate, if you have that a basic knowledge of using a decent point-and-shoot camera. All the functions of the camera such as ISO, white balance, exposure metering and focusing modes can be accessed by holding down the respective buttons and rotating the jog dial. Shutter speed and aperture size have dedicated dials.

It’s very difficult to criticise the D90 on quality as well. The 12.3-MP CMOS sensor does its job well. Photos turn out crisp across the entire aperture range. The lens isn’t made for macro photography, so you’ll have difficulty with up-close shots. Mind you, great close-ups can be shot by moving back and zooming into the target. Good depth of field can be achieved easily too. The flash is powerful and good enough for indoor photography every now and then.

The Auto mode works well along with the autofocus feature. Focusing is instantaneous and there is no delay whatsoever. There are a few autofocus hiccups every now and then, but nothing that can’t be fixed using the other auto-focusing bracket modes. As expected from any D-SLR, the manual mode gives you total control of the camera. You won’t be disappointed with the D90, if you like to select a scenario preset either — a dial for doing that is present.

Another new feature hardly ever seen on D-SLRs is video recording. The D90 can capture up to 1280x720 resolution videos at 24 frames per second. What makes it even more special is that you can zoom and focus manually while shooting videos. The video quality is great and the frame rate quite stable but you will need to buy a fast SD/SDHC card for it.

We’d be lying if we said that we weren’t impressed with the D90. It’s filled with surprises. The camera is incredibly simple to use, it has the performance, the features and is undoubtedly miles ahead of the D80 in every aspect. Nikon has yet another winner on its hands and we highly recommend this if you have a serious interest in photography and also the money.

The Nikon D90 along with its lens is priced at a whopping Rs. 89,890. The body by itself can be bought for Rs. 69,950. This makes the D90 almost as costly as the D300. It makes better sense if you spend more and go for the D300 instead.

Nikon’s lens are known to be cheaper than some other brands, so buying just a body and then a good lens can also be a good move. If you don’t need the Live View or the video recording or even the small changes Nikon has made, then the older D80 is a better buy, especially with its more wallet-friendly price.

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I am looking into getting a Nikon D40x, the 10.2 mp.?

I would like to do wedding photography in my area. There are NO other wedding photog. services here so my lack of professional wedding experience will not be a huge turn away. Here, you either take them yourself, or you don't have them at all. I have a GREAT eye for photography and shot my brother in laws wedding with great results. I just want a starter camera and this one looks good. Anyone have any advice? I have been to picturetown on the NIKON web page. Also , is the 55-200mm zoom a good lens as far as depth and range? Thank you in advance for any answers. I would like comments on this camera only please as it is in my starting budget.

Great advice above... I agree with the idea of getting a D80 instead of the D40X. It is "only" another $200 and the added flexibility is well worth it.

I'd think that the 55-200 is not the best choice for a wedding. While I think Nikon's 17-55 would be a pretty good choice, it costs more than the camera. I love my 18-200 VR for general shooting, but frankly, I would not recommend it for weddings. It's a pretty good lens, but you will have to spend some time making corrections in Photoshop on your wide shots.

Consider getting a D80 with the 18-135 lens. Honestly, I don't think it is the same quality as the 24-85 that fhotoace suggested, but if you are starting out with ONE lens in your kit, I think you need to allow for a tight room or a distant shot and the 18-135 will allow that.

You're going to need a flash and you should only consider the Nikon SB600 or SB800, with the SB800 offering more lighting solutions that you can learn to use down the road. The SB600 would not be a handicap, though.

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