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Quadra Lens
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Tight Budgets

Tight budgets are common these days. But the demand for high production values hasn't fallen with a drop in funds. So how do you achieve a slick looking series of shots without breaking the bank? Hire a portable dolly or a portable jib for only £40 a day.

Portable Dollies

One way to make your production look like Martin Scorsese was on location is to hire Martin Scorsese. But if you had that kind of money you wouldn't be reading this. Instead, consider using a portable dolly with track. They don't take up much more space than a tripod, they weigh less than ten kilos and the cameraman can easily use one without assistance.

The most common models are the Digidolly, the Wally Dolly and the Hollywood Microdolly. The first two are made in Australia and the third is made, as the name implies, in the U.S. Different cameramen have their preferences and you can call us to discuss the merits of each. The Digidolly is becoming the most popular. Below are a few details on all three models.

Digidolly

Australian-made lightweight portable track and dolly system that can be set up on location within minutes. The dolly takes a tripod and it also has a low-level Hi-hat mount. The Digidolly comes with 3.6 metres of aluminium track and its construction allows for smooth movement.

Hollywood Microdolly

The US-made Microdolly kit weighs only 4.5 kg and fits into a soft case only 86 cm long. The dolly takes a tripod and comes with four metres of track. The kit can be set up within minutes and can handle up to 45 kg of camera gear.

Wally Dolly

Australian-made lightweight (8 kg) track and dolly kit. The dolly takes a tripod and comes with three metres of aluminium track. The kit can be set up within minutes.

Dolly Shots

So you've got the dolly, what'll it do for you? Use it for presenter links to add nice, smooth movement that takes it several notches above a handheld shot. Use it for interviews to give your interview a different, more interesting look. Use it for exteriors and interiors of buildings and homes. Use it to shoot performances. The list goes on and if used well the impact can be strong and you will have raised the production value of your shoot dramatically for an extra 40 quid and for only a little more time.

Portable Jibs

Like portable dollies, portable jibs can be used by a cameraman without an assistant. They need weights so taking them on a job abroad and incurring hefty excess baggage costs makes them impractical for that purpose but if you're using a standard crew van they're easily managed. We carry two models. If you've used them a few times, you can set them up within five minutes.

Eazy Jib

The Eazy-Jib can be mounted on a standard tripod with a 100mm bowl and enables a cameraman to do interesting camera movements almost anywhere. The Eazy-Jib has an adjustable arm length that can be set between 720 and 1600 mm (2 feet 4 inches and 5 feet 2 inches). It weighs 14 kg (31 lb) and can handle a payload of 18 kg (40 lb).

Quadra Jib

A portable jib arm that can be mounted onto a tripod with a 100mm bowl. The Quadrajib 2654 weighs 14 kg and can handle a payload of 19 kg.

Jib Shots

How can you use a portable jib? Again, you can make presenter links look far better than they will off the shoulder or from a fixed tripod. You can use them to bring any otherwise static subject to life. For shots around a garden, property exteriors and interiors, the list can go on. The result is the same as with portable dollies. The 40 pounds you spend will add many times that in production value.

Last Week's Lyrics

You may remember last month's lyrics question: who wrote "even the president of the United States sometimes must have to stand naked." That was easy but hardly anyone got the answer right. It was Bob Dylan. This week's is a little tougher. But the writer had profound impact on the music business. "I've never seen a night so long, as time goes crawling by."

If you have any questions or comments please send them to cal@procamtv.com. Until next month, happy shooting.

Cal Barton

http://www.procamtv.com

Cal Barton - Procam Television

Procam Television
Units 3 & 4
Linford Street Business Estate
Linford Street
London
SW8 4UN

Tel: (+44) 20 7622 9888
Fax: (+44) 20 7498 1580

Email: cal@procamtv.com
Web: http://www.procamtv.com

Apple QuickTake

History

In 1992, Apple Computer started marketing plans for a digital camera called QuickTake, codenamed Venus. At the time over $12 billion was spent annually in the United States on photography. Apple searched for a company to design and manufacture their QuickTake digital Camera line. It should be noted as fact, that Kodak had already been selling their own self-branded version of this camera, made in Japan by Chinon Industries, for over a year[citation needed].

The QuickTake 100 was released in 1994 as an easy-to-use digital camera that connected to any Macintosh computer by way of an Apple serial cable. The camera was capable of storing eight photos at 640x480 resolution, 32 photos at 320x240 resolution, or a mixture of both sizes. All photos were at 24-bit color. The camera had a built-in flash, but no focus or zoom controls. The QuickTake 150 kit included a separate close-up lens that allowed focusing at approximately 30 cm. Other than downloading the photos to a computer, there was no way to preview them on the camera, nor was there any way to delete individual photos from the camera (though there was a recessed 'trash' button which would delete the entire contents of the camera). It was one of the first digital cameras that were targeted to consumers to be released.

Apple released a connection kit for Microsoft Windows with the QuickTake 150 in 1995. The last QuickTake model was the Fujifilm-built QuickTake 200, released in 1996. The 200 added focus and aperture controls, as well as the ability to store images on removable SmartMedia flashRAM cards.

The various QuickTake models didn't sell very well, as other companies such as Kodak (already in the market before Apple), Fujifilm, Canon, and Nikon entered the digital market with brands that consumers associated with photography. They were discontinued in 1997 shortly after Steve Jobs came back to Apple. In an attempt to streamline Apple's operations, Jobs discontinued many non-computer products, including the Newton line of products, the LaserWriter printer line, and the QuickTake cameras. The Apple QuickTake camera has since become a collectors item for Apple enthusiasts.

Specifications

Model

100

150

200

Image

24-bit

24-bit

24-bit

Resolution

640x480 pixels

640x480 pixels

640x480 pixels

Image Format

PICT, QuickTake

QuickTake from camera only (conversion to TIFF, BMP, PCX, JPEG in computer)

TIFF, BMP, PCX, JPEG, QuickTake

Lens

8 mm

8 mm

8 mm

Memory

1MB Flash EPROM

1MB Flash EPROM

2 or 4MB 5V SmartMedia card

Shutter Speed

1/30 to 1/175 of a second

1/30 to 1/175 of a second

1/4 to 1/5000 of a second

Connection

RS-232C

RS-422, RS-232C

RS-232C , NTSC Video I/O

Introduced

16 February 1994

May 1995

17 February 1997

Discontinued

 ?

 ?

1997

Introductory Price

$749 US

$700 US

$600 US

Using QuickTake

The QuickTake 200 can be used with card-readers that can read 5V media cards. For users with an Apple Macintosh running System 7 up to Mac OS 9 with a serial port, the QuickTake 200 can be plugged directly into the computer using the Apple QuickTake camera software. The QuickTake 100 and 150 store images internally, not on cards, so they must be used with an Apple serial cable and the QuickTake driver software. The QuickTake cameras cannot be directly connected to a Macintosh running Mac OS X, both because these machines do not support the old Apple Serial protocol, and because QuickTake cameras used a unique codec for compression and decompression which has not been ported to modern versions of QuickTime.

See also

List of products discontinued by Apple Inc.

References

^ "21 Great Technologies that Failed". PC Magazine Online Features. PC Magazine. 2008-07-26. http://www.pcmag.com/article2/0,1895,2325943,00.asp. Retrieved 2008-07-27. 

External links

Wikimedia Commons has media related to: Apple QuickTake

QuickTake 200/Fuji DS-7 Users' Page

Apple Japanese QuickTake 150 Datasheet

Apple Japanese QuickTake 150 Datasheet(translated)

WWW Publishing: Graphics - Quicktake 150

QuickTake camera manuals

Apple's Forgotten QuickTake Cameras

v  d  e

Apple hardware before 1998

Computers

Apple

Apple I  Apple II series (II, II Plus, II Europlus, II J-Plus)  IIe series (IIe, IIe Card for Macintosh LC series)  IIc series (IIc, IIc Plus)  IIGS  Apple III series (Apple III, III Plus)

Lisa

Lisa  Lisa 2  Macintosh XL

Compact Macintosh

128K  512K (512K, 512Ke)  Plus  SE (SE, SE FDHD)  SE/30  Classic  Classic II (Performa 200)  Color Classic (Performa 250)  Color Classic II (Performa 275)

Macintosh II

II  IIx  IIcx  IIci  IIfx  IIsi  IIvi (Performa 600)  IIvx

Macintosh LC

LC series (LC II (Performa 400410), LC III (Performa 450), LC III+ (Performa 460467))  LC 500 series (LC 520 (Performa 520, Macintosh TV), LC 550 (Performa 550560), LC 575 (Performa 575578), LC 580 (Performa 580))  5200/5300 LC series (5200 LC (Performa 52005220), 5260 (Performa 52605280), 5300 LC (Performa 53005320))

Macintosh Quadra

700  900  950 (AWS 95)  800 (AWS 80)  840AV  610 (Centris 610, AWS 60)  650 (Centris 650)  660AV (Centris 660AV)  605 (LC 475, Performa 475, 476)  630 (LC 630, Performa 630640)

PowerBook

Macintosh Portable  100 series (100, 140, 170, 145, 160, 180, 165, 145B, 165c, 180c, 150)  Duo series (210, 230, 250, 270c, 280, 280c, 2300c, Duo Dock)  500 series (520, 520c, 540, 540c, 550c)  190 series (190, 190cs)  5300 series (5300, 5300cs, 5300c, 5300ce)  1400 series (1400c, 1400cs)  3400c  2400c  G3

Power Macintosh

6100 (Performa 61106118), AWS 6150)  7100  8100 (AWS 8150)  AWS 9150  6200/6300 series (6200, (Performa 62006230), 6300 (Performa 62606360))  9500  7200 (AWS 7250)  7500  8500 (AWS 8550)  5400 (Performa 54005440)  7600  6400 (Performa 6400, 6410, 6420)  4400 (7220)  5500  6500  7300 (AWS 7350)  8600  9600 (AWS 9650)  G3  Twentieth Anniversary Mac

Network Server

500  700

Peripherals

Displays

Monitor III  Monitor II  Monitor IIc  AppleColor Composite IIe  AppleColor High-Resolution RGB  Macintosh Color  AudioVision 14  Multiple Scan 14  ColorSync 750

External drives

Floppy drives (Apple II and III, Macintosh)  Hard drives (ProFile, Hard Disk 20, Hard Disk 20SC)  Optical drives (AppleCD, PowerCD)

Input devices

External Keyboards (Numeric Keypad IIe, Lisa Keyboard, Macintosh Keyboard, Macintosh Numeric Keypad, Macintosh Plus Keyboard, ADB Keyboard, Standard Keyboard, Extended, Apple Keyboard II, Extended Keyboard II, Adjustable, Newton Keyboard, Apple Design Keyboard, Twentieth Anniversary Mac Keyboard)  Mice (Lisa, Macintosh, Mouse IIc, AppleMouse II, Apple Mouse, Mouse IIe, ADB Mouse, ADB Mouse II)  Mouse derivatives (Apple II Graphics Tablet, Joystick)  Scanner  OneScanner  Color OneScanner (Color OneScanner, 600/27)  QuickTake cameras (100, 150, 200)  QuickTime Conferencing Kit

Networking

Apple II Communications Card  Apple Modems  LocalTalk network adapter  Comm slot cards  GeoPort Telecom Adapters

Printers

Thermal (SilenType, Scribe Printer)  Impact (Dot Matrix Printer, ImageWriter, ImageWriter II, ImageWriter LQ)  LaserWriter (LaserWriter, Plus, IISC, IINT, IINTX, IIf, IIg, 4/600 PS, 16/600 PS, 12/640 PS, 8500)  Personal LaserWriter (SC, LS, NT, NTR, 300, 320)  LaserWriter Pro (600, 630, 810)  LaserWriter Select (300, 310, 360)  Color LaserWriter (12/600 PS, 12/660 PS)  StyleWriter (StyleWriter, II, 1200, Portable)  Color Printer  Color StyleWriter (Pro, 2400, 2200, 1500, 2500, 4100, 4500, 6500)

Newton

MessagePad (100, 110, 120, 130, 2000, 2100)  eMate 300

Other

Paladin  AppleDesign Powered Speakers  Interactive Television Box  Pippin

See also: Apple hardware since 1998.

Categories: Apple Inc. hardware | Digital cameras | 1994 introductionsHidden categories: All articles with unsourced statements | Articles with unsourced statements from January 2008
About the Author

I am China Crafts Suppliers writer, reports some information about wire cup brushes , paint brush manufacturers.

How does a quadra lens 3D camera work?

I just discovered a Nishika n8000 3D quadra lens camera on our attic..
http://www.flickr.com/photos/29920738@N07/3059634608/

And I was just wondering what's the science behind a quadra lens system?
Can I use an ordinary 35mm colored film with it?
Does it utilize twice as much film per shot?
(36shots = 18 shots)
What are the pros and cons of using this camera?
Any tips and techniques?

..thnx...

I've never played with one of these but being '3D' it probably shoots something similar to the Realist stereo cameras.

At least for the Realist (and our cameras may use the same technique) you load it up with E6 slide film and shoot. Drop the film off at your lab and do NOT have them cut or mount the slides. When I get the film back I place the roll over my lightbox and one image is from the left lens, then the next frame, and then the next image is of the right lens. They alternate like this. I cut the chips (shots) out and mount them to Realist stereo mounts.

When loaded in a viewer, it's just like 3D.

The advantage of this is accurate 3D images that just pop out at you. The Realist lenses are roughly eye distance apart to simulate the 3D we see.

Tips? Make absolutely sure your horizon is level! Also, run a roll of cheap color negative film through it and have it developed only. Have the lab just give you back the roll of film. View it on a lightbox and you'll get an idea of what the camera outputs to the film.

Winnie Michelsen: Lighthouse keeper’s daughter
Winifred Arden Michelsen 1920 - 2010

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