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Sometimes the ambition for success is so great, that we forget that we all start at the same place: That of not having any experience.

Blinded by our dreams of immediate success, we launch our meager enterprise, without ever stopping to think about the method, or the experience required to start a flourishing photography business.

So there's nothing wrong with experimenting, but you don't have to invent the wheel all over again.

There are many photographers who are successful businessmen. They developed their photography skills and learned to monetize them. They have already made all the mistakes and therefore have the answers!

Isn't it much easier and more reasonable to take advantage of their experience, and take off from there?

Do not make the mistake of trying initially to be original, unique, and individual in your style of photography. Until you have developed enough confidence in your own ability, and have perfected your own style, copy the style of successful and respected photographers.

This will give you guidelines to follow, and will prevent you from becoming complacent with your own work. After a while you will become confident enough to develop an original and individual style.

But great talent is not enough, you also have to learn how to market your ability.

Don't rush the learning process. Take your time to build a solid foundation which will support you for years to come. You'll accumulate the knowledge and experience, which will enable you to provide a quality photographic service with confidence.

I would love to help you with your photography! Contact me at http://www.StephanieDelhey.com

Film Lives!

by Jeremy Myers

The advent of digital photography killed off 35mm and most medium format film usage as snap shooters and wedding photographers found it far easier to look at the LCD to see if they ‘got the shot’ rather than running to the lab and waiting a week for prints. Industry pundits confidently predicted the total elimination of film from the photographic process-but it hasn’t worked out that way.

Granted, the available film stock has been drastically reduced, but there is a sizable and growing cadre of shooters willing and able to support film producers such as Ilford and Fuji going forward. Why is this so?

The photographic community is not monolithic, although it’s hard to see this when all you look at is the mass-market appeal of digital equipment. But going beyond that you have a diverse group of folks to consider. There are those who are flat out in love with wet chemistry and want to carry on with a variety of current and vintage processes. APUG.org (Analog Photography Users Group) is dedicated to this market segment and now has 33,000 dues paying members world wide. It boasts active forums on such topics as film and chemistry, printing and all related topics.

Then there are those who employ a variety of camera systems which simply don’t accept digital backs, or do so only at a huge penalty of cost and weight. As an example, there are literally hundreds of thousands of Hassleblad medium format systems using film. Oh sure, you can step up to digital in this realm but you’d better be willing to fork over $25,000 for the basic kit. Thanks, but a $4 roll of film sounds more workable.

Finally, there is the group of people who use 4x5” and larger format cameras. There are some things that only a bellows camera can accomplish and considering costs and weight, film is the hands-down winner. Again, there is a digital imaging back for the 4x5, but it costs about $20,000 and is basically suited to studio use only. The market for this gadget is microscopic and will probably remain so for some time.

The simplistic view holds that new technology sweeps all before it in a relentless and irresistible tide, wiping out all prior techniques and methods along the way. But when the older stuff still has value, it survives.

About the Author

Jeremy Myers is a wedding officiant and is the owner of Lyssabeth’s Wedding Officiants. Visit his websites at: Lyssabeth's Oregon Wedding Officiants , Lyssabeth's Rocky Mountain Wedding Officiants and Lyssabeth's Colorado Springs Wedding Officiants .

Has anyone been able to find a fuji S9100 in stock? or used one and can comment on it?

I have the model before sold as a 9500 here in Australia but sold as a 9000 in the US. I hate it. It only takes clear pictures up to about 30' then they are just not clear any more. I shoot landscapes so this was useless to me. All I use it for now is to take very high risk shots and occasionally I lend it to other people.

Before that I had the Fuji S7000 6MP camera and it is a wonderful camera.

Since then I have moved to Nikon DLSR cameras, I have a D50 and a D80, and they are superb.

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