Wide Angle
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Wide Angle
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NEW 58MM .45X WIDE ANGLE CONVERTER LENS WITH MACRO!! US $9.99
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NEW 58MM .5X WIDE ANGLE CONVERTER LENS WITH MACRO!! US $9.99
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ORIGINAL Sony Wide Angle Lens VCL-HG0725 25mm US $50.00
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Wide Angle Lens 0.43x - MACRO x Canon EOS Kiss F Kiss X2 XTi XSi & T3/1100D US $29.63
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Nikon Zoom-Nikkor MF 28-45mm f/4.5 Ai Wide Angle Zoom Lens 45 207827 US $31.00
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Here are some more information for Wide Angle:

I have just received my new Canon EF-S 10-22 ultra-wide angle lens. This is one of Canon's most popular lens and is designed for the "crop sensor" series of DSLR. More on what a crop sensor is later. My first thought after a couple of frames is "Wow, this is really wide, it wraps around my block."
The question of the day is why do I need a 10-22mm wide angle lens. I already have a EF-S 18-55 zoom that came with Canon X1i camera. So what am I going to do with that extra 8mm of width for a wide angle shot. That 8mm is like a football field when I am shooting a landscape in the distance (well maybe not quite a football field, but close).
There is a great need for those of us that shoot landscapes for a wide angle lens. As you might notice in my landscapes I tend to shoot very wide shots with mountains or red rocks in the foreground and the horizon in the distance. I have been shooting most of my landscapes at 18mm with my kit lens on the T1i. That means that I am shooting at 28.8mm in film 35mm size. This is because the T1i is a crop sensor camera with a factor 1.6x.
Now I have to explain the crop sensor stuff. Suffice to say that there are three ratios of crop sensors in the Canon line of cameras; full sensor, 1.3x, and 1.6x. This refers to the ratio of the sensor (the computer chip that sees the image and translates it to digital). The full sensor is the same size as the 35mm camera of years past. The two other ratios are, in effect, a subset of the full sensor and the 35mm film size. For practical purposes this means that the full sensor would see the entire football field, the 1.3x sensor would see inside the 20 yard lines and the 1.6 factor would capture inside the 30 yard lines. Now, you math majors out there do not hold me to the exact proportions, I am just trying to illustrate the concept.
Here is a list showing what Canon cameras have which sensor:
- Canon EOS 1Ds, Mark II and II (Full Frame)
- Canon EOS 5D and 5D, Mark II (Full Frame)
- Canon EOS 1D, Mark III,IV (1.3x Crop Frame)
- Canon Digital Rebel, T1i,XSi,XS (1.6x Crop Frame)
- Canon EOS 20D,30D,40D,50D,7D (1.6x Crop Frame)
Now what does all this have to do with me wanting, needing, lusting after a 10-22mm wide angle? Now you know that this lens will fit on my camera (whew, that took a long time). You will also know that the 10mm, the widest of the wide angle, is really a 16mm on my camera compared to how it looks on a full frame camera. That is still very good and will capture really ranging views of those red rocks that I am so fond of.
What about the other characteristics of the lens? All the reviews I have read show it to be a very high quality "glass." Canon designates their top-of-the-line lenses with the letter "L" in the description. Although the EF-S 10-22 f/3.5-4.5 does not carry the "L" designation, the use of three aspheric elements and one SD element is a common characteristic of a quality lens. My first first shots with the lens left me with the impression of how clear and sharp it is.
This has quality optical parts and is not a "low-end, consumer type lens". Some pundits have suggested that if it had not been an EF-S type lens, it might have received the "L" designation, but since it will not fit on a pro level DSLR (EOS 5D,1Ds series), Canon did not give it a "professional" L designation. In fact, no EF-S lenses have the "L" designation to date.
EF-S lenses, of course, are designed for use only with APS-C (1.6x) sensor Canon DSLRs and will currently only physically mount on the Digital Rebel series, and EOS 20D,30D,40D,50D 7D. The EF-S design allows the rear element to be closer to the sensor then with EF lenses, improving image quality, especially at the shortest focal lengths. The "S" in EF-S means "short back focus" and now you know why.
There are many technical reasons that this lens is good for wide shots and landscapes. The reviews have shown that it is very sharp and very fast when auto focusing. On the negative side I will note that, if you use this lens when looking at a person up close it will make them look like they are standing in the circus exhibit with the distorted mirrors. It is clearly designed for those shots that are as wide as all outdoors.
Randy Jackson is an experienced Arizona photographer. His photography is about nature,events,sports and public functions. He writes about photography and technology on his blog and displays his images on his photography site. He writes about techniques, products, tutorials and the state of mind of those in the field that see photography as a fine art. More information can be gleaned about Randy at his blog Random Thoughts of a Photographer at http://randyonphotography.com.
Randy's gallery and store are at: http://randyjacksonimages.com.
Five Tips for Creative Photography with Canon Wide Angle Lens
Here are some tips to help you achieve those fantastic photographs you are after using your canon wide angle lens. This is great to capture a wider field of view in your photographs. The subject may be the image's focus; however, by using this canon wide angle lens, you can make good use of the background in the picture to add interest. This way the picture will capture a larger story instead of just a photo; for example, in a picture of two children playing on the beach, you may have captured a small fishing boat going past in the background.
In respects to the larger lens, the canon wide angle lens gives you a stronger depth of field. This is great in that it will not only give you a background and foreground, you also have the chance of keeping everything focused. If on the other hand, you were using a bigger lens, you would have to have the aperture more closed. This would mean a slower shutter speed, and having to use a tripod, which is more time consuming. With all that extra messing about, the depth of field may not have the strength it would have with the use of a canon wide angle lens.
The great thing about using a canon wide angle lens is that if taking photo shoots of such things as railroad tracks, a jetty, fence-line things that may stretch into the distance, then by using a wide angle lens will actually give you great photos. This will give you a photo where you may feel like you can actually walk along the railroad track giving strong lines to the picture.
The canon wide angle lens can give another dimension to a picture giving the illusion that things at different distances are further apart than they actually are. The objects at the forefront look smaller, while the background objects may seem a lot more distant.
If you read all the tips above they may help you in some way in achieving the goals you have set for yourself in creating fantastic pictures. There is nothing better than getting your camera and taking different photos using your wide angle lens and experimenting to see what sort of pictures you have taken.
About the Author
Markus Sanarko is the author and webmaster of Schnell7.com, you can discover more information about Canon Wide Angle Lens at: http://schnell7.com/canon-wide-angle-lens
Is it possible to achieve the artistic fisheye wide angle look with a compact digital camera?
I really like the look of the distorted wide-angle photography. I also want a camera that is digital, compact and easily portable. Any advice or recommendations?
There was an add-on fisheye lens made for the old Nikon Coolpix 900 series P&S cameras.
These add-on lenses were popular and available because there were NO DSLR's at the time that cost under $5,000, so many pros, first dabbled with digital using these versatile P&S cameras.
Finding one (fisheye) that you can add to a compact, portable digital camera will be difficult.
There are some fisheye effects available on some photo programs, but they are not all the believable without a lot of manipulation and good luck
Remember that a "fish-eye" lens covers 180 degrees, so keep your feet out of the shot if you find an actual fisheye add-on for your camera
Severe weather possible again in Miss. this week
Storm-weary Mississippians might were facing another possible round of severe weather this weekend, only days after tornadoes plowed through the state and left a wide swath of destruction.
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US $9.99